The State-Socialist Mode of Production: A Small Film Industry between Berlin, Moscow and Hollywood

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Authors

SZCZEPANIK Petr

Year of publication 2012
Type Appeared in Conference without Proceedings
MU Faculty or unit

Faculty of Arts

Citation
Description The aim of the paper was to articulate a comparative model for historical analysis of nationalized cinemas in the East-Central European region, using the Barrandov studios in Prague as an example. The key question it asked was: how was creativity and day-to-day production of films tactically managed in a system where the only real producer was the state? What organizational instruments had to be developed to balance the centralized control with necessary creative freedom?
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